Adam style American Empire and Archigram Art Deco style Art nouveau style Baroque architecture Baroque Architecture In Central Europe Baroque Architecture in England Russia and Northern America Sicilian Baroque
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Baroque Architecture in England, Russia and Northern America

In England the culmination of Baroque architecture comes with Sir Christopher Wren, Sir John Vanbrugh and Nicholas Hawksmoor. Many examples of Baroque architecture and town planning are found in other European towns, and in the Spanish Americas. Town planning of this period featured radiating avenues intersecting in squares, which took cues from Baroque garden plans.

In Russia, the baroque architecture passed through three stages - the early Moscow baroque, with elegant white decorations on red-brick walls of rather traditional churches, the mature Petrine baroque, mostly imported from Low Countries, and the late Rastrelliesque baroque, in the words of William Brumfield, "extravagant in design and execution, yet ordered by the rhythmic insistence of massed columns and baroque statuary."

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In Northern America: Mexico and California

Plateresque and Churrigueresque Baroque in Mexico: The baroque in Mexico derives from Plateresque and Churrigueresque architecture.

Late fifteenth-century Plateresque freely borrowed the decorative motifs of the intricately detailed work of silversmiths, the “Plateros.” In the seventeeth century, after the restrained Juan de Herrera interlude, decorated architecture in Spain reached an apotheosis in the exuberant —some would say capricious— Churrigueresque baroque, named after the Churriguera, a family chiefly known in its day for the design of altars.

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Characteristic of both the Plateresque and Churrigueresque are the elaborate frontispieces that are then applied to an otherwise flat facade. The architectural elements in these decorations, columns, entablatures, pediments et al play a purely decorative role. With the Plateresque and Churriguerresque, Spain’s Gothic moment, based like all Gothic on structural purism, met its end.

The Spaniards eventually exported their decorated architecture to Southern Italy and to their colonies in the Americas. In the 18th century the Churrigueresque set roots in Mexico, while a native brand of Plateresque, the Mexican Plateresque, less exact in the carving of ornamental details than its Spanish forebear, emerged.

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Being Mexico the most important colony of the New Spain, the trend of this Mexican Churrigueresque and Plateresque Baroque style in architecture would come to define Spanish Colonial architecture in North America with grand buildings masterfully carved, specially visible in the rich silver mining towns and the grand capital: Mexico City. This trend even included few, but much more humble and simplistic works of the small California Missions in the United States, when its territory still belonged to Mexico.

Churrigueresque refers to a style of elaborate sculptural architectural ornament first developed in Spain in the late 1600s and used up to about 1750, marked by extreme, expressive and florid decorative detailing, normally found above the entrance on the main facade of a building.

Named for the Churriguera family of Salamanca, according to the Grove Dictionary of Art, its origins can be traced back to an architect and sculptor named Alonso Cano, who designed the facade of the cathedral at Granada in 1667. The style enjoyed a resurgence after Bertram Goodhue's designs for the 1915 Panama-California Exposition in Balboa Park, San Diego, California included Churrigueresque ornament.

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Architectural_styles Adam style American Empire and Archigram Art Deco style Art nouveau style Baroque architecture Baroque Architecture In Central Europe Baroque Architecture in England Russia and Northern America Sicilian Baroque